Jane Wyman is the governess who wears “The Blue Veil” from 1951.

The Blue Veil is a most simple
melodrama, a tearjerker story of a life-long governess, of what was as soon as referred to as
a “girl’s image.” The 1951 movie was launched by means of RKO, a reasonable hit in its
day with largely optimistic opinions, however in the present day is generally forgotten. That is
as a result of there’s nary a very good copy available and isn’t proven. Whether or not it’s
copyright or property points—it’s truly a Norman Krasna and Jerry Wald
manufacturing—The Blue Veil deserves to
be restored.

Jane Wyman as Louise Mason wears the normal governess/nanny “Blue Veil.”  With Cyril Cusack because the toy retailer proprietor who admires “LouLou.”

As The Blue Veil takes place over a number of many years and nonetheless clocks in
at the usual one hour and 45 minutes, among the occasions and
particularly reactions appear a bit perfunctory. What helps is the solid is populated with outdated
professionals, who convey essentially the most with every scene. But, it’s Jane Wyman’s heat and
power that maintain this episodic tearjerker collectively, and nabbed Wyman a Greatest
Actress Academy Award nomination.

Jane Wyman is a younger widow who simply finds out her new child has died, in 1951’s “The Blue Veil.” Jane was 34 when this was filmed.

There’s the period’s “get
on with it” perspective towards trauma and life adjustments evident in The Blue Veil. For instance, inside the first
5 minutes, Jane Wyman’s Louise Mason goes from a warfare widow with a child, to
all of a sudden dropping her baby, with a physician who is available in and offers the world’s most
generic non-explanation, capped with, “…we did all we might for it.” Later, a sensible employment
woman who thinks that Louise ought to be a nanny ASAP to ease her ache! Likewise, when
Louise is eased out from her duties after the widower boss remarries, his new
bride asks what number of weeks it’ll
take the nanny to show her all the pieces about caring for the infant. No time for
remedy again then!

Jane Wyman as nanny Louise Mason, along with her first cost. Charles Laughton is her  boss and Vivian Vance is his new bride. “The Blue Veil” from 1951.

Whereas the “mom
love” storyline might be very sentimental, Jane Wyman’s appearing is heat, however not
sticky candy. That is why I take pleasure in Jane in film soaps. Some film followers consider
Wyman as uninteresting, however I discover her appearing naturalistic. Particularly when shed of
glamour, Jane Wyman appeals with these large doe eyes and smooth however agency voice.
She suggests deep feeling with out the diva posturing so typical of the period. I
discover Wyman’s appearing extra consistent with Barbara Stanwyck and Olivia de
Havilland than say, Crawford or Davis. 

The Blue Veil begins after WWI and ends after WWII, so
Jane’s Louise goes by means of a sequence of jobs, with the governess/nanny/nurse in
the “blue veil” uniform connecting deeply with a number of households.

Louise’s first cost
is Freddie, whose mom died giving delivery, virtually the reverse of her personal state of affairs.
The widower is Charles Laughton as Frederick, most interesting because the lonely man,
in a uncommon regular position. Laughton and Wyman have a pleasant rapport, and the businessman
proposes to Louise. She properly turns him down, feeling two lonely individuals does
not make for a cheerful marriage. So secretary Vivian Vance quickly accepts his
proposal as an alternative, and lives the dream of a affluent businessman’s spouse. An
instance of how even-handedly The Blue
Veil is instructed, Vance’s character is pragmatic however not a villain. Whereas Wyman’s
Louise is saddened by her departure, she made the decision, and accepts the
state of affairs gracefully.

I really like overlap “dissolves”from basic movies. Right here, Jane Wyman’s nurse says goodbye  to her first baby, then proven leaving to discover a new job, from “The Blue Veil.”

If Wyman’s Louise was a younger warfare widow simply after WWI, that
would put “LouLou” in her early ’50s on the post-war finish of this movie. As
Louise begins caring for her final baby, every subsequent scene makes her appears to be like
older. By the finale, Wyman appears to be like like Margo in Misplaced Horizon, after she escaped Shangri-La!

On the finale of “The Blue Veil,” Jane Wyman’s nanny is suppose to be in her early  ’50s, however appears to be like like Helen Hayes in “Airport!”

Subsequent, “LouLou” cares
for 2 boys, the youthful particularly connected, the sons of a rich couple, with
Agnes Moorehead in sympathetic mode as Fleur Palfrey. Moorehead acted 5
instances reverse Wyman: Johnny Belinda;
The Blue Veil; Magnificent Obsession; All
That Heaven Permits; and Pollyanna.

Agnes Moorehead is Jane Wyman’s second employer in 1951’s “The Blue Veil.”

Right here, she meets
Richard Carlson because the boys’ tutor, Jerry. A heat charmer and dreamer, he needs
greater than this non permanent gig. He will get a instructing job supply in Syria—of a
century in the past! He needs Louise to run off with him and marry. That Jerry is weak
of character exhibits when he is simply discouraged by Moorehead, then Wyman
herself, after they each make legitimate factors of his intentions. On the practice, he
initiatives his doubts on Louise, who then calls it off and goes again to her job.

I really like this heat romantic scene between Jane Wyman & Richard Carlson in 1951’s  “The Blue Veil.”

A while elapses when Louise now takes care of the daughter
of Annie Rawlins, an growing old musical stage star. Her daughter Stephanie, performed
by 12 12 months outdated Natalie Wooden, adores Louise. As is often the case, the kid
turns into connected to doting nanny LouLou. Annie is good-hearted however inconsiderate
and infrequently a no-show at her daughter’s huge life moments. When Stephanie calls
Louise her mom at her affirmation, the nanny lets her mom know that it’s
greatest to go away. This units up a significant tearjerker scene, when Louise tells
Stephanie she has to go. Wyman and Blondell had been outdated professionals by this level and
play with their typical naturalism. Wooden is outstanding because the disillusioned
daughter and performs her huge scene, begging Louise keep, fairly movingly.

Tearjerker scene from “The Blue Veil,” when Jane Wyman’s governess realizes it is time to transfer on. Younger Natalie Wooden as her cost & Joan Blondell because the mom.

Natalie Wooden was 12 when she made “The Blue Veil.” She is sort of good because the lady who turns into connected to Wyman’s nanny.

I used to be a bit shocked that Blondell received a supporting actress
Oscar nomination for The Blue Veil.
Her position is temporary as the great natured broad, and she or he is not doing something new.
But, she received no nods for A Tree Grows in
Brooklyn or Nightmare Alley, in
roles that had been larger and juicier. However that is Hollywood, the place some very
unusual Oscar nominations and wins had been awarded within the ‘50s. Gloria Grahame in The Unhealthy and the Lovely and Jan
Sterling and Claire Trevor for The Excessive
and the Mighty come to thoughts.

Dan O’Herlihy & Audrey Totter play a younger couple who go to England throughout WWII,  leaving their child boy with Jane Wyman’s reliable nanny, in “The Blue Veil.”

Louise’s final stint as nanny comes for Helen and Hugh
Williams, performed by Audrey Totter and Dan O’Herlihy. They’ve a child boy,
Tony, and LouLou matches proper in. Then British hubby Hugh is named off to warfare.
When he’s reported lacking, Lulu holds down the fort whereas Helen goes off to
discover him. He’s wounded and later dies, and she or he stays on for the warfare’s
period. After the warfare, Helen stays on, for very obscure causes. By this time,
Lulu is caring for Tony without cost, even working to assist him! Whereas Lulu has
taken care to not change into too connected to her expenses previously, this time she
does. When Helen lastly returns, the boy is a grade-schooler enjoying baseball.
Lulu makes an attempt to run off with Tony, however is discovered. Totter’s Helen now has
bulldog husband Henry Morgan in tow, who needs to press expenses. However the
district legal professional shames them for his or her lack of communication, appreciation, or
fee. Louise is heartbroken after they go away with Tony.

Have a hanky helpful when Audrey Totter’s Helen comes again practically a decade later for her son, within the care of Jane Wyman’s nanny, from 1951’s “The Blue Veil.”

By this time, Louise is trying like and appearing like a
latter day Madame X, however having had none
of her enjoyable! Alongside the way in which, Louise turns down a 3rd supply of marriage, from
irascible however good man Frank (Cyril Cusack), who owns a toy retailer that she
frequents for her expenses. Sadly, he dies of a coronary heart assault when the
police come searching for Louise.

Jane Wyman’s nanny is now an elementary college janitor in 1951’s “The Blue Veil.”

Louise winds up as a janitor at an elementary college, to be
close to youngsters. At present, she’d in all probability be pegged as a predator, however that is
one other dialogue! Going house sooner or later, she practically steps out in entrance of a automobile,
however is saved. At a watch physician for a checkup, he seems to be her second cost,
Robbie Palfrey, who was as soon as afraid of storms. Unbeknownst to Lulu, he
arranges a dinner for her and her earlier kiddos. With their spouses, they
take pleasure in a stunning reunion, with Robbie saying he needs Lulu to look after his personal
youngsters. At this level, you should have used up a field of tissues!

Jane Wyman’s “LouLou” is requested to be nanny to her one-time cost’s youngsters in the finale of 1951’s “The Blue Veil.”

One in all Jane Wyman’s smaller movies, just like the likewise
underrated So Large, The Blue Veil is a straight up cleaning soap, however
performed with real feeling. Director Curtis Bernhardt, who made his identify at
WB, did properly with actors and retains this film transferring alongside easily. The Blue Veil feels extra like a ‘40s
film within the more and more trendy ‘50s movie world, however in case you’re within the temper for
cinema struggling with an uplifting finale, Wyman and a stellar solid are value
watching.

Right here’s my take a look at certainly one of Jane Wyman’s greatest latter day roles,
in Douglas Sirk’s All That Heaven Permits,
with Rock Hudson: https://ricksrealreel.blogspot.com/2020/10/all-that-heaven-allows-1955.html

A stellar solid is a bonus in 1951’s “The Blue Veil,” however Jane Wyman’s efficiency as  Louise Mason, a nanny for over three many years, holds this movie collectively.