Grammy-nominated artist Durand Bernarr took the stage at Atlanta’s Tabernacle with the form of presence that refuses to go unnoticed. As a part of his You Gon Develop, Too Tour, the singer-songwriter introduced his newest album BLOOM to life in entrance of a packed room of followers, delivering a set full of vocal energy, emotional transparency, and plain showmanship.
Gene Noble Warms the Stage with Soul and Storytelling
Earlier than Durand’s entrance, R&B artist Gene Noble set the tone with a weak, vocally wealthy efficiency that mirrored on betrayal, soul ties, and emotional rebounds.
The previous background vocalist leaned into storytelling, providing songs from a brand new mission centered across the aftermath of infidelity.
“He’s again within the streets this time,” Noble declared in a single observe, prompting audible reactions from the viewers.
Earlier than wrapping his set at 9 p.m., Noble shared his gratitude for opening for a good friend like Durand and hinted that this wasn’t his first time performing on the Tabernacle—however it was the primary time the highlight was solely his.
A Theatrical Entry, A Vocal Assertion
At 9:09 p.m., “Welcome to Atlanta” roared by means of the audio system as a sign. With that, Durand Bernarr entered—robes, aptitude, and all—establishing that this is able to be no conventional R&B efficiency.
“If you handle me, you gotta say Grammy-nominated,” he informed the group early on, instantly setting the tone.
With a voice that soars throughout registers and a presence skilled in each church and stagecraft, Durand blended soulful vocals with choreography, crowd interplay, and multimedia moments that pulled from his digital roots. Archival footage from his early YouTube days flashed on the display screen, together with clips that have been later featured on The Terrell Present, a nod to his longtime collaborator and greatest good friend, Terrell Grice.
The evening unfolded like a range present—half live performance, half monologue, half dance break. At instances, Bernarr tapped into gospel-adjacent nostalgia, remixing acquainted choir tunes with sudden (and undeniably daring) lyrics. These interludes drew loud laughter and recognition from the viewers, showcasing simply how deeply ingrained he’s inside his fanbase’s cultural reminiscence. Whereas not all parts will resonate with each listener, his unapologetic artistic path proves he’s, at the beginning, a performer who isn’t afraid to take dangers.
The home music break, shock look by Justin Ross, and a voguing section full with dying drops turned the Tabernacle right into a ballroom-meets-Broadway hybrid. And with every outfit change—ending with a pink floral-embellished look and white flower in hand—Durand underscored the symbolism behind his newest mission.
Past the pageantry, there have been poignant moments.
“You don’t water pretend flowers—you mud them,” he quipped, earlier than launching into “No Enterprise.”
He later reminded the viewers of extra affirmations to take heed of.
“The trauma isn’t your fault, however the therapeutic is your accountability,” a message that drew approving snaps and cheers.
Ari Lennox additionally made a shock look to roaring applause.
From there, Durand slowed issues down for tracks like “I’m a Little Too Self-Conscious,” talking on to the album’s themes of readability, neighborhood, and emotional maturity. As he neared the tip of his set, he sang “Beneficiant with My Love” and closed with what he referred to as the theme of BLOOM: “Flowers.”
Durand Bernarr isn’t an artist simply boxed in. He’s theatrical, fearless, and deeply musical. For followers of progressive R&B, daring self-expression, and layered vocals, this present was a celebration of artistic freedom. Whereas his efficiency model isn’t conventional, it’s definitely compelling, and in a world the place authenticity is foreign money, Bernarr continues to rise with no indicators of dimming his gentle.
