Steve McQueen tries to maintain his cool as “The Cincinnati Child.”

There have been many proficient
palms concerned with the poker taking part in epic, 1965’s The Cincinnati Child. Nonetheless, Steve McQueen is the winner, within the title
function. McQueen isn’t simply cool, but in addition effortlessly pure and emotionally understated
as the person who has one thing to show.

Like Paul Newman, Steve McQueen knew the facility of his piercing blue eyes.

A standard criticism of The Cincinnati Child is that Paul Newman’s
The Hustler from 1961 is a way more
highly effective story. That ought to go with out saying. To me, the similarities between
the 2 movies are superficial:  each title
characters battle to make a reputation of their recreation; each are going up towards a
veteran champ of their respective sport. In any other case, the flicks are apples and
oranges: Newman’s movie is a stark, practical black and white drama; McQueen’s
film is a trendy, colourful crowd-pleaser. The
Hustler is a basic; The Cincinnati
Child is nice leisure and holds up nicely 50 years later.

A smile from the often laconic Steve McQueen, as “The Cincinnati Child.”

I’ve solely seen a couple of
of Steve McQueen’s movies as a result of lots of them are style flicks. Nonetheless, from
what I’ve seen, I’m at all times knocked out by McQueen’s naturalistic performances.
As The Cincinnati Child, Steve’s card
participant is hard, however solely when he needs to be. Although he has ethereal Tuesday
Weld and erotic Ann-Margret in his thrall, McQueen’s dangerous boy really solely desires
Weld. When he strays as soon as with A-M, he sees that it’s a mistake. Within the typical
male star automobile, it’s a on condition that the hero can beat up any man and mattress each
feminine in sight. Steve McQueen differed from his best competitor, Paul Newman.
Rising up, I at all times considered them as the identical kind. Whereas McQueen’s beat-up
attractiveness and blue eyes are irresistible, Steve was no male magnificence like Paul. I
like Steve’s type in the course of the ‘60s, far more than Newman’s cocky anti-hero.
McQueen jogs my memory of an up to date model of Bogart and Garfield. The ultimate
scene the place the Child admits that he’s accomplished, tonelessly matter of reality, is simply
certainly one of many understated moments by Steve McQueen in The Cincinnati Child.

The scene when Steve McQueen’s “Cincinnati Child” quietly admits defeat is highly effective.

Edward G. Robinson’s
efficiency as veteran gambler Lancey Howard is certainly one of his greatest—and certainly one of
Eddie’s most restrained. Nicknamed “The Man,” Howard is aware of that “The Child” is
coming down the pike. When Howard rolls into New Orleans, he’s like visiting
royalty. I like watching Robinson as Lancey, like a Cheshire cat, taking
every little thing in with nice stillness. His poker face is kind of entertaining,
contrasted with these half-asleep eyes that miss nothing. After a recreation with a
sore loser of a wealthy man, a recreation is about up that features The Man and The Child.
Throughout that third act poker recreation, Robinson will get to genially spar with former WB
co-star Joan Blondell, and his interplay with youthful star McQueen is
understated and riveting. Eddie was
quoted that he admired McQueen, that he was a throwback to the WB stars like
himself, Bogie, Cagney, and Garfield. Robinson was completely proper.

“I am nonetheless the highest stud poker participant, see?” Edward G. Robinson as Lancey Howard aka The Man in 1965’s “The Cincinnati Child.”

What a disgrace that
Edward G. Robinson did not get an Oscar nod for his refined, dryly humorous
efficiency. This and his last flip as Sol in 1973’s Soylent Inexperienced have been most worthy for Greatest Supporting Actor Oscar
nomination consideration. The truth that Eddie bought zero Oscar nominations in his movie profession is likely one of the Academy’s
blindest blunders.

One-time WB stars Edward G. Robinson & Joan Blondell reunited as a card shark & card vendor in 1965’s “The Cincinnati Child.”

Apart from Steve
McQueen, Ann-Margret, and Tuesday Weld, with their trendy type, there’s so much
of interval element for a ‘60s film that wasn’t a fancy dress image. McQueen has
his designer hair reduce, however his garments are timeless, aside from that cool rain
jacket within the opening scenes. And Weld’s hair could be very ‘60s hippie chick, however she’s
in any other case in character. Then there’s Ann-Margret as Shooter’s younger spouse,
Melba. I like A-M general as an actress and he or she looks like a category act as a
particular person. However her shallow kitten with a whip will get outdated actually quick. In comparison with
the pure performances and bodily look of the remainder of the forged, Annie’s
tidal wave of dyed pink hair, awning-sized false lashes, and her purring/hissing
cat in warmth act stands out within the unsuitable method. Completely ‘60s in a ‘30s set film,
Ann-Margret’s efficiency is mockingly the one factor that’s dated in an
in any other case authentically atmospheric movie.

Ann-Margret as Melba the Cat? As Karl Malden’s faithless spouse, Melba even cheats at jigsaw puzzles! From 1965’s “The Cincinnati Child.”

Tuesday Weld’s
Christian, a rustic lady in New Orleans, is her quirky, child-like self. However
as the nice lady to Ann-Margret’s vamp, Weld has a extra real rapport with
McQueen’s character. The Child’s bathtub scene, when Christian explains a overseas
film that she’s simply seen is one instance of their charming interaction.

Tuesday Weld & Steve McQueen have a candy rapport in 1965’s “The Cincinnati Child.”

The forged of The Cincinnati Child is solely unbelievable.
Karl Malden is a flawed good man, Shooter, coerced into slicing the playing cards in
the Child’s favor, due to money owed incurred by his trampy spouse, Melba. Malden’s
empathetic, as at all times. Rip Torn, of the John Cassavetes/Ben Gazzara division
of creeps, is the poor sport cash man who desires the Child to take down reigning ancey. Joan Blondell has her likeable broad routine down pat by now as card
vendor Woman Fingers. All of the actors get their second to shine: Jack Weston as
grouchy Pig; plus Jeff Corey, Dub Taylor, Cab Calloway, Karl Swenson, Milton
Selzer, and Burt Mustin. Uncredited however outstanding is Ken Grant because the little
shoeshine boy who at all times desires to problem the Cincinnati Child in a penny
pitch.

Ken Grant is successful because the shoe shine boy who canines “The Cincinnati Child.”

The shoe shine boy who idolizes and challenges “The Cincinnati Child,” 1965.

The film’s tight but
intriguing visible type is courtesy of director Norman Jewison, editor (future
director) Hal Ashby, and versatile cinematographer Philip H. Lathrop (Contact of Evil and Level Clean). Jewison was an actor’s director who was additionally an awesome
storyteller and it reveals right here. The story, although it revolves round playing cards, is
actually about what the stakes are for these characters within the recreation. You discover
each character, even when they’re solely reacting to the most important gamers, a
hallmark of a Jewison film.

Director Norman Jewison at proper, listening to his star, Steve McQueen, on the set of  “The Cincinnati Child.” Tuesday Weld is in the midst of the speak.

The Cincinnati Child was from a novel by Richard Jessup, a author
with a troublesome upbringing, much like star Steve McQueen. Sadly, each males died
younger, two years aside, from most cancers. The crisp and humorous script is by outdated
professional Ring Lardner, Jr., first day without work the black record, and newcomer Terry
Southern, who got here into his personal within the ‘60s. Lalo Schifrin offers the rating,
with Ray Charles singing the theme track.

An amused beef from me:
Why did not Jewison reshoot the scene the place McQueen throws Malden up towards the
door, after the Child finds out Shooter is favoring him with the playing cards? When
Steve slams Karl, the complete wall wobbles!

Rip Torn, so good at taking part in villains, is wealthy SOB Slade in “The Cincinnati Child.”

Some film critics and movie
followers have complained about card video games as an issue and the inconceivable
odds of The Child and The Man’s final palms. Personally, I discover card video games
extremely boring. The sport scenes right here have been filmed with nice talent and I used to be a lot
extra within the gamers’ motivations than their card palms.

The
Cincinnati Child is a crowd-pleaser, you’re both all in, or
you’re out.

Right here’s my take a look at director
Norman Jewison’s 1967 ensemble masterpiece, In
the Warmth of the Evening: 

http://https://ricksrealreel.blogspot.com/2020/06/in-heat-of-night-1967.html

“The Cincinnati Child” is on its recreation as nice leisure.