The Crystalline Entity first appeared in the “Star Trek: The Subsequent Era” episode “Datalore” (January 18, 1988), and it served as an amazing drive of nature that the crew of the usS. Enterprise did not know cope with. It was huge in scale and required nice offers of power to remain alive, power it acquired by consuming whole planets of life. It will lengthen a beam right down to a planet’s floor and primarily suck up and obliterate something alive beneath. The Entity was an detached drive of faceless destruction, and plenty of Trekkies have in contrast it to Moby-Dick in that regard. It is not evil, however merely unaware that its consumption habits have the potential of ending whole civilizations. 

In “Datalore,” the Entity had been weaponized by Lore (Brent Spiner), the “evil twin” of the android Knowledge (additionally Spiner). Plainly Lore resented the best way he was handled on the human colony the place he and Knowledge have been first constructed, and he lured the Entity to return snack on everybody. It is by no means made clear how Lore discovered to speak with the Entity. Lore additionally goals to feed the Enterprise to the Entity, however he was naturally unsuccessful. On the finish of “Datalore,” the Entity sailed off to components unknown. 

The Entity returned within the episode “Silicon Avatar” (October 14, 1991), and the Moby-Dick parallels turned extra pronounced. One Dr. Kila Marr (Ellen Geer) was keen to seek out the Entity and examine it, claiming it was an enchanting, distinctive life kind. Solely later did she reveal that it had attacked her residence planet and evaporated her son. Her purpose, she introduced, is to exterminate the Entity. It was her White Whale.

In accordance with the writers of the episode, as revealed in Larry Nemecek’s invaluable “The Star Trek: The Subsequent Era Companion,” the Moby-Dick parallel was fairly deliberate. 

Dr. Kila Marr, it must be famous, was shocked to be taught that Captain Picard (Patrick Stewart) sought to seek out the Crystalline entity with a purpose to discover a solution to talk with it, and maybe discover a solution to feed it in a means that did not contain murdering whole inhabited planets. This was Picard’s choice after he knew it destroyed the colony the place Knowledge was constructed, and after it killed a number of scientists on a analysis mission originally of the episode. The Entity trapped a number of of his senior employees members in a cave, they usually barely escaped alive. Picard, nevertheless, remained diplomatic via all of it, understanding that the Entity had a proper to exist, identical to any organism. 

Kila Marr merely needed revenge, and her resolve strengthened when Knowledge performed an audio recording of her lifeless son’s diary, saved deep within the android’s reminiscence. For some time, she was suspicious of Knowledge, pondering he was in league with the Entity like Lore was, however after listening to her son’s voice coming from his mouth, she discovered him to be a … silicon avatar for her son. By the tip of the episode, Dr. Marr has discovered a solution to kill the creature, and Ellen Geer provides a superb efficiency as a lady obsessed to the purpose of doing it. 

In accordance with the “Subsequent Era Companion,” the script for “Silicon Avatar” was a contract submission by a author named Lawrence V. Conley. The late “Trek” producer Jeri Taylor did not assume that “Subsequent Era” must be doing “sequel” episodes at that time, however the return of the Crystalline Entity was surprising. Taylor mentioned: 

“Of all of the characters to convey again, who’d have thought the Crystalline Entity? […] However the ‘Moby-Dick’ premise of this obsessed girl whose son’s consciousness was saved in Knowledge was too good to move up.”

A Moby-Dick-like mineral creature. The White Shale?

Within the oral historical past ebook “Captain’s Logs: The Unauthorized Full Star Trek Voyages,” edited by Mark A. Altman and Edward Gross, the director of “Silicon Avatar,” Cliff Bole, talked about making the episode. He additionally recalled what adjustments he would have made, had he had an opportunity to start out over once more, Bole mentioned:

“I believe I might have made Marr stronger in locations and within the ending I assumed we have been weak. Then once more, she was over the sting. You already know, while you’ve solely obtained 40 minutes of image, it is powerful to take a personality and go throughout the change and what occurs to anyone. We’re doing quick tales right here. Why does she do what she does? Typically you simply do not have the movie time to discover it correctly. We’re promoting 9 minutes lower than the outdated present. You are able to do a whole lot of character improvement in these 9 minutes.” 

By 9 minutes, he implies that industrial breaks now ate up 9 further minutes of time when in comparison with the shorter industrial breaks of 1966, when the unique “Star Trek” was on the air. 

Bole additionally famous that he was type of on Marr’s facet, feeling that Picard’s ultra-diplomatic answer was calm to the purpose of inhumanity. He wasn’t outraged and even angered on the Entity’s fixed destruction. Each emotional being, Bole thought, would assume to kill the Entity. Producer Michael Piller liked the episode’s premise, noting how shut it was to Herman Melville’s dense masterpiece, however did really feel, that it may have been dramatically stronger. 

Taylor, nevertheless, liked the entire thing, understanding the ache that Dr. Marr felt. Taylor ended up writing the ultimate teleplay and infused Dr. Marr with relatable struggling over the demise of her son. “I used to be actually capable of faucet into these emotions,” she mentioned, “and inform a narrative a couple of girl whose vendetta over the lack of her son ruined her.”